Maps have a the ability to bring back memories of excursions in our past or create longing for new adventures. The making of maps, possibly as old as the making of leather, has developed over the centuries into a beautiful art form. I drew inspiration for my forthcoming travel collection from cartography of the nineteenth century, a robust period driven by the increase in world travel and industrialization. The Victorian era’s influence on travel is reflected in everything from its vintage maps to private train cars. To invoke a bit of vintage travel nostalgia I packed up my swatchbook and sketchpad to take a round trip hop to Mt. Cuba on the Wilmington Western Railroad .
The gentle sway of the train, the music like churn of wheels on track easily lead to day-dreaming. My thoughts wandered to the allure of maps and the way they make us yearn for adventure. Romantically portrayed in Hollywood movies, trains have been used as a stage for intimate conversation and provoking thought. Travel in beautifully decorated train cars is a rarity today. Yet maps and railways have a profound relationship that have shaped borders and continue to fuel our imaginations. A quick fashion sketch on the train ride sets the groundwork for my design. I combine elements from both cartography and Victorian travel. I start with colors: chestnut brown joined with red, olive, black. The marriage of vintage map inspired fabrics and pebbled grained leathers set the mood for this collection.
The Fortuna trench coat is made in cotton twill canvas combined with chestnut brown calfskin leather. Red piping follows the princess seams and edges. A cheetah print lining in polyester satin , allows the coat to slip on smoothly. Polyester was chosen to provide warmth without the bulk of heavy materials. As you can see in the makers video below, there are a number of layers that are placed in the trench to add body and structure to the finished garment. Camel hair canvas is one such layer, which gives the breast, lapels and collar endurance . Leather and the structure layer does add some slight weight. However that trade-off is made to give the garment a long life of performance.
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If you are interested in learning more about me, my brand and how i started in leather-work check out my story , recently posted in Enhance Magazine. I want to thank Director Lisa Maguire and photographer Kristen Troy Hockessin Athletic Club for visiting my studio and taking some cool pic’s of me at work.